Into the Woods
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Book sculptures by Su Blackwell.
Joseph Roth: All Publishers Are Bad BusinessmenMy Bitterness, My Mission: Poems by David Ray from 1977Padgett Powell’s Fearless, Fecal Writing AdviceStaff Picks: Barbara Pym, Eileen Myles, Bryan DoerriesOn a Train in Norway—Is That Kate Bush by the Waterfall?The Bad Air and Dubious Science of the MiasmatistsThe Mystery of the Plaster PlimptonMother Approved: My Secret Superpower“Masquerade,” the Puzzle Book That Unhinged a NationBordellos of the Southland: An Interview with Liz Goldwyn by Erik MorseOn Blood Moons and Singing in PublicStaff Picks: Cats, Cattiness, Correction by Dan PiepenbringMother Approved: My Secret SuperpowerFrench Frames: Golden, Gilt, GrandioseWhen Samuel Beckett Teamed Up with Buster KeatonThe Paper Architecture of the Soviet UnionRarities from My Grandfather’s House of BooksIn Which Robert Walser Translates Paul Verlaine (Kind of...)Why Did China Censor a Photo of a Granny with an Umbrella?On the Everly Brothers’ “Bowling Green” Staff Picks: Food Rules, the American Dream by The Paris Review Kate Beaton on ‘Hark! A Vagrant’ by Nicole Rudick Posters from the Paris Protests, 1968 by Atelier Populaire Congratulations to Julian Barnes by The Paris Review A Week in Culture: Sadie Stein, Editor by Sadie Stein Arundhati Roy on 'Walking with the Comrades' by Anderson Tepper Other People's Churches by Rachael Maddux On the Shelf by Deirdre Foley At the Hotel Roquefort by James Jones Assault on the Minibar by Dubravka Ugresic Paul Murray on “That’s My Bike!” by Rachel Nolan Staff Picks: Barbie's Dream House, All the Single Ladies by The Paris Review Congratulations to Tomas Tranströmer by Lorin Stein Reading in Bed with James Franco by The Paris Review Vile Bodies, or Bad Sex Virgins by Jonathan Gharraie The Smartest Gifts of the Season by The Paris Review The Driftwood Remains: My Search for A Bankable Title by Shalom Auslander Help Us Support St. Mark’s! by Natalie Jacoby The Laundry Room by Thomas Beller Staff Picks: Ghost Stories, Black Books by The Paris Review
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